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Liliane M.E.M. Limpens
designer | director LILIANE BV
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vision |
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"The value of dolls for
children is equivalent to the
value which themselves have for
their parents.
Children and their [dolls-]
children have now themselves
their own dream villa. The dolls villa is
for them what the large house is
for the [grand-]parents. A
field. With own values,
standards, rules, freedoms. To
have a good grow.
Equivalence of child and adult is core strength. No head emphasis on the
half-measure, on the format. The soul, the intuition, the
instinct, the character are essential. Grow of
the physical body, skills,
talents and knowledge-developments are growing on this floor.
The earth and the grain, the earth and it's wood. Showing the
value of the earth. The beginning lies at the start.
At the children of our children".
Thesedays boys are using
specific boys' dolls on large
scale. This will change
something in the next generation.
Boys will learn to improve
themselves to move in another
one, by playing from the
position of the living of the
doll's.
The dolls villa stimulates this
way the empathy-capacity at
girls and boys, as a result of
which women en men improve each
other will sense. |
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editor |
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General editor Harlekijn, an arts magazine | head of the
national library for arts education | public relations officer |
originator and member of the
board of a
relief supplies for
the parents of serious sick children in the academic hospital
Maastricht [1994-1998]. |
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wooden |
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In 1996, Liliane M.E.M. Limpens started designing wooden
play-furniture for her own children.
"It all started with mister Vermeulen, in Grave. The father
of a girlfriend made a lovely barbie-wardrobe for me.
My own father made some wooden play-furnitures for the
garden. As a little girl, this touched me deeply. I had never worked with wood before, but I knew
there would come a day when I too would make durable wooden
objects to supplement my children's toy collection". |
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dolls villa |
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The modern dolls villa that Liliane
built in the winter of 1997-1998 won
praise from friends and family. It was
unique in many ways: its size, its
modern design, its mobility and its
potentially enormous target group. |
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energy |
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Right from the beginning, there were
people who recognized the villa’s potential and who tried to convince
Liliane to go commercial. But she was
hesitant: "When I started to make new
products out of wood, that primeval
material, that was a turning-point in my
life. Right now, there is hardly any
outside influence on my work. I can go
purely by instinct and follow my own
insight. This releases energy I never
dreamt I had. When I give added value to
one of my designs, this is often
reflected in how others respond to it. I
realize this creative process will come
to an end if I start selling my
products. I have decided not to do this.
I don't want the production process and
the marketing to become the main focus
of my work" |
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company |
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Liliane gradually started to see the
potential of her own design. Her target
group is enormous: girls and boys aged 3
to 14, nearly all of whom owned at least
one 12” doll. For most kids, playing
with dolls is an important pastime.
At 18 juni 1999 foundation of the company LILIANE, design
and production of innovative play-furniture.
The dolls villa went into
production at a Dutch
wooden toy
factory. Liliane had gone professional.
In the autumn of 1999, De Bijenkorf
department store in Amsterdam and a
chain of children’s shops called Sterre
+ Tijl became the first retailers to
sell the
LILIANE
dolls villa. In 2000 the villa is the
winner of the National Award Innovative
Products. From 2006 Germany is the new
production-location of the dolls villa.
In 2008 introduction of the
LILIANE
light dolls villa. |
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support |
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Support of the Liliane Fonds for
disabled children in developing
countries. |
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